As I’ve already said, I think maybe more than once, it was in Boston that I learned how to drink. The bar that was singularly instrumental in teaching me was Green Street Grill in Cambridge.
It was the kind of bar people go out of their way for. Fortunately for me, I lived about 35 seconds from it, and it was there I had my first Old Fashioned, first taste of Fernet Branca, first flip, fizz, Collins, sour, etc., etc., etc. And it was there I had my first Colleen Bawn, then a fixture on their extended cocktail menu.
We ordered so many of them that winter that the bartenders used to groan when they saw Vikki’s bright red coat walk in the front door, because they knew they would be forced to make at least one egg drink. Eggs, you see, are a giant pain in the ass. You have to shake them once without ice and then once with, and with the ice you have to shake them forever, and you usually have to garnish ornately, artful dashes of bitters or hand-grated nutmeg or other such annoying flourishes that take up valuable doing-other-things time.
It’s worth noting, however, that we didn’t care about their groaning then, and I have even less sympathy for it now that I work with eggs myself. Never let a bartender make you feel bad about ordering a drink. If like Amaretto Sours, order an Amaretto Sour. I don’t care if you like Splenda Mojitos in January: you want what you want, and our job is to make it for you. Unless, of course, you order Ramos Gin Fizzes on a busy weekend night, in which case you can go fuck yourself.
Anyway.
The Colleen Bawn (meaning “fair girl,” from the Irish cailín bán) is the name of a play from 1860 by Dion Boucicault. It dramatizes the true story of Ellen Hainley, murdered at 15 by her wealthy husband and his servant. The murder of a beautiful young commoner and indictment among the aristocracy caused something of a stir, as you might imagine, and the story became about justice overcoming social class. Both men were hanged, and Hanley was interred under the inscription:
“Here lies the Colleen Bawn
Murdered on the Shannon
July 14th, 1819”
Once again, the connection between this cocktail and its name eludes me — my best guess is that it’s named after a “fair girl” because it’s so lovely, but who the hell knows? What we do know is that it shows up in 1904 in Edward Spencer’s The Flowing Bowl, and it’s as good today as it was then:
Colleen Bawn
1oz Rittenhouse Rye
1oz Yellow Chartreuse
1oz Bénédictine
1 full egg
Shake without ice to whip the egg; add ice and shake with hearty vigor; strain into cocktail glass; garnish with grated nutmeg and/or cinnamon

Yes, I realize I’m advertising a cold weather drink with pictures of sunshine. I live in San Diego. Deal with it.
The egg combined with the saffron in the Chartreuse gives the drink the color of custard, which texture-wise is not so far off. It is creamy with egg, smooth and a little thick. The rye, big as it is, is more for infrastructure than flavor; the liqueurs, as with the wonderful Widow’s Kiss, mix perfectly together. Individually, Yellow Chartreuse and Bénédictine are both full, pungent, herbal French liqueurs, and it seems kind of silly to put them together save for the fact that it works.
This is a drink of strange opposites: it’s highly complex but not difficult, it’s a little sweet but also a bit bracing. While it’s good any time, the thickness of the egg and the sweetness of the liqueurs (also that one cocktail is the equivalent of 3.2oz of 80 proof liquor) make the Colleen Bawn perfect as the last drink on a cold night.
Cool drink
Try one. Is delightful.
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I love a Colleen Bawn. It seems to be the unofficial flip of Boston – any Boston bar I’ve ordered a flip in serves this. Whenever I ask for one in another city, I get funny looks. I wonder where the trend started?